The smoke actually got much worse; black and dense and inky (of course). The F.D.N.Y. showed up rather quickly and swiftly took care of it.

As publishing professionals, this implausible bit of synchronicity did not go unnoticed.

Here are some pictures. I do love the fact that my iPhone has a video and a still camera, although I need to remember to do video in landscape mode….

The Pirate’s Dilemma has a spot-on analysis, as usual. Of particular interest to me is Mason’s likening of vinyl records (whose sales apparently doubled this past year) to books: “Records are like books – they are souvenirs of ideas.” Indeed. But that still means a smaller, more selective audience, looking for a high-quality product produced in smaller numbers with collectors in mind, versus the cheap, mass market (no pun intended) alternative.

Mason continues by calling attention to the plight of the college yearbook: “The yearbook business, for example, has evaporated thanks to social networks”. I hadn’t really thought about that, but it makes perfect sense, and not necessarily only for the reason that The Economist states. Aside from the archival capacity of sites like Facebook and MySpace to keep the same mementos previously housed between the covers of a yearbook (pictures, etc.), the fact that social networks keep people connected despite the separation that comes after graduation makes the need for a commemorative tome practically nil. I don’t need memories of Susie Jenkins; Susie’s still in my life—I see her status updates every day, for better or for worse.

The not-so-super-seekrit project that’s been sucking down so much of everyone’s time over at Tor Books finally goes live today. Tor.com is a new science-fiction and fantasy themed community site, where a whole lot of luminaries from the SF/F fandom community will be contributing content about ‘Science Fiction. Fantasy. The Universe. And Related Subjects.’, as the tagline says.

Tor.com started as a glimmer in the eyes of Patrick Nielsen Hayden, Teresa Nielsen Hayden, Irene Gallo, and Fritz Foy, over a year ago. With the design direction of regular badass Jamie Stafford-Hill, they’ve been working tirelessly, quietly, and sometimes not-so-quietly on it since. Tor.com will feature original content from some of SF/F’s most talented voices, such as John Scalzi, Charles Stross, and Cory Doctorow; as well as blogging from both genre authors and genre fans (including yours truly). It also features a kickass gallery of SF/F artists, with work from cover artists, game designers, conceptual artists for film and TV, you name it. Additionally, the site is a social network, so you can create a profile and connect with artists, writers, and fellow fans.

As launch date loomed closer, and it came time to recruit bloggers and beta testers, pnh and Irene approached me to see if I would be interested in contributing, to which I replied “Yeah!”. Once they realized that launch date would be the same week as Comic Con San Diego, and that they’d need people there to cover what is probably one of the largest fandom events of the year, Irene popped into my office and asked me if I wanted to go to Comic Con, to which I replied “Fuck yeah!”.

So I’ll be going to and blogging from Comic Con San Diego this week. Don’t hate me too much.

Aside from reportage, I’ll also be posting about other SF/F-related stuff on Tor.com, including a regular column which was originally planned for this site. A while ago, the crew in the art department at Tor realized that there really was no SF/F-specific book cover review blog out there, and we felt there should be. After all, SF/F book design is a very particular thing: we are much more illustration heavy than other genres, we have a particular visual language and ideosyncracies that may be beyond (or beside) the scope of traditional book cover reviews. I shot off an email to my co-workers proposing to start something up, and it became incredibly obvious that the perfect home for a feature like that would be Tor.com. So there you go. Here’s a link to the initial post for that, outlining all the ins-and-outs of how it’s gonna work.

The fanboy in me is incredibly excited to see this film. Snyder outdid himself on 300. Watchmen, from what I’ve seen so far, looks to be of the same caliber and fidelity to the original comic. 

The web-denizen in me is very interested to see a motion picture from a major studio integrate crowdsourcing into its production. 

However, the creative professional in me balks at the idea that this is, in effect, a muti-national conglomerate (and member of the MPAA, no less) soliciting spec work from the masses, to be used in a profit-generating film. I have absolutely no doubt that some of the entries will be of professional caliber, and the thought of some hapless fanboy giving away his hard work for mere geek-cred just rubs me the wrong way. While, upon reading the fine print, one does find that there are cash prizes to be won,the legalese seems a bit sketchy to me. I’m inclined to speculate, but I am not a lawyer, and I have trouble parsing legalese, so I’ll keep my mouth shut. Anyone else have any thoughts?

As I understand it, the film is split into three stories dealing with the different facets of el mal de amor (Spanish for ‘lovesickness’): a boy’s first love, a hostage situation, and an elderly triad locked in a love triangle.

Carlitos and I worked together briefly back in my advertising days, and ever since we’ve loosely orbited each other via our extended circle of friends in the PR creative industry/scene. From what I remember of his work for me and others in advertising, Carlitos is a director with a distinct vision and storytelling style—I’m very excited to finally see the fruits of their labours.